yet the easiest to overlook 

yet the easiest to overlook is a performed documentary. Constructed from over 500 minutes of workshop footage, it transforms this material into an exercise in architectural rehearsal: a collective practice of inhabiting the in-between spaces of sites destined to disappear. Situated within the choreography of imminent destruction that characterises contemporary urban transformation, the film explores the paradox at the heart of the overlooked: places that are highly visible yet rendered invisible through collective indifference.

Drawing on a transdisciplinary research project into “choreopolicing” and “choreopolitics”—the violent regulation of movement and presence, and the collective practices that resist and undo it—as well as on the concept of survivance, the work brings together gestures, traces and overlapping temporalities. It asks: What happens when bodies repeatedly occupy places they are expected to ignore? At what point does attention itself become an act of resistance?

The film unfolds as a performed reading, in which voice, quotation and documentary montage weave together repurposed images into a trans-temporal narrative exploring spatial control, bodily autonomy and the politics of forgetting.